The conflict between human rationality and emotional control, represented by the King of Thebes, Pentheus, and unbridled human passion, represented by the god Dionysus.

Princess Aida has been kidnapped: a valuable prize in a war between Egypt and Ethiopia. The ambitious soldier Radames wrestles with his feelings for her. As they draw closer together, each must make a painful choice between their loyalty to home, and their love for each other. his new production of Rome combines the colossal and the intimate. For Michele Mariotti, conductor and music director of Teatro dell’Opera di Roma, Verdi’s genius lies in his managing to combine spectacular, triumphal elements with a love story that unfolds far from public space in delicate pianissimi and sotto voce singing.

To open the 2023–24 opera season, the Teatro dell'Opera di Roma presents a new production of Mefistofele. This opera, in a prologue, four acts, and an epilogue by Arrigo Boito, is inspired by Goethe’s Faust. The production is directed by Simon Stone, with Michele Mariotti conducting.

A dramma giocoso at the Teatro dell'Opera in Rome, set to music by Gioachino Rossini. Libretto by Jacopo Ferretti based on the French libretto by Etienne for Isouard's Cendrillon.

An extraordinary event marking the run-up to the opening of the Rome Opera House for the 2025/2026 season and celebrating the 125th anniversary of Tosca.

Andrea Chénier is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet André Chénier (1762–1794), who was executed during the French Revolution.

A day in Rome viewed by sixteen different directors under the supervision of the great screenwriter Cesare Zavattini.

An elite group of soldiers led by the courageous Claudius Marcellus are handpicked by Julius Caesar to embark on a desperate and dangerous suicide mission to destroy the Druids' secret weapon.

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On May 21, soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.